Roman republican portraiture series#

At that writing, Vitruvius was already looking five hundred years into the past. He projects Roman ideals of beauty, based on function, strength, and human proportions, back onto Etruscan architecture.

VitruviusвЂ™ description of Etruscan temples in his Ten Books on Architecture (20-30 CE) is a great prompt for discussing how we know what we know about art from antiquity-from a time before cameras, digital recording, and even printing presses. You might begin with some images of Ancient Etruscan art, noting that theirs was a related yet distinctive culture in Italy from 800-400 BCE, and not simply a prelude to the Roman. In the West, around Rome, successive waves of so-called вЂњbarbarianвЂќ invaders arrived as the Roman Empire fell into decline in the fourth and fifth centuries. Because the Byzantines spoke Greek, were officially Christians, and blended many cultures from around the Mediterranean, we might consider their culture distinct from the Roman.

The timeline covered in this lecture begins with the period of Etruscan and Roman kings in the ninthвЂ“eighth centuries BCE, and moves through the Roman Republic (509 BCE) and the Roman Empire (27 BCE) to the reign of Constantine, and his transfer of the capital to Byzantium in 330 CE. As a secondary goal, teachers can trace a crucial evolution in architecture toward construction techniques that were cheaper and easier, and that shaped space in new ways. Previous lectures in the survey may have highlighted the relationship of art and religion in ancient societies, but this lecture-in addressing Republican realism, Imperial art, and civic building-looks at what happens when art is brought to the service of politics. Fragments of the Colossus of Constantine, Roman, c.Fresco, Villa of Publius Fannius Synistor, Boscoreale, Roman, 50вЂ“40 BCE.View of Garden, Villa of Livia, Primaporta, Roman, c.

Augustus of Primaporta, Roman, 63 BCEвЂ“14 CE.Pompey the Great, Roman, copy of an original made 50 BCE.Cerveteri Necropolis, Etruscan, ninthвЂ“third centuries BCE.Sarcophagus with Reclining Couple, Cerveteri, Etruscan, 520 BCE.Model of an Etruscan temple as described by Vitruvius, Istituto di Etruscologia e di AntichitГ Italiche, UniversitГ di Roma, Rome.Tiny timeline: ancient Egypt and Mesopotamia in a global context, 2ndвЂ“1st millennia B.C.E. Contribute an essay вЂ“ Help make art history relevant and engagingД«rowse this content A beginner's guide Tiny timeline: ancient Egypt and Mesopotamia in a global context, 5thвЂ“3rd millennia B.C.E.Donate вЂ“ Help Smarthistory continue to make a difference.Teaching with images вЂ“ For K-12 teachers.Across cultures вЂ“ An interconnected world is not as recent as we think.Short courses вЂ“ spend an hour - learn a lot!.

Roman republican portraiture series#

ARCHES вЂ“ At-Risk Cultural Heritage Education Series.

Seeing America вЂ“ a portal to American history and art.

Expanding the Renaissance вЂ“ shifting the conversation.

Public memory and the politics of place.

Figuration, the body, and representation.

Pictures Generation and postmodern photography.

Young British Artists and art as commodity.

Overview of Medieval Europe + Byzantium.

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